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HAVE SPOKEN ABOUT THE MASTER.... |
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MICHELE CENNAMO - To the inside of the represented publication to the side,
the important critical of art Michele Cennamo already in 1972 describes
with many particulars the painting style of Master Carletti.
Of continuation the integral text of the comment: - Synthesis of
an autonomy that is determined in the knowledge of tomorrow, while chromatic
figures projected in the shadow are revealed. Not real visions that
are transported slowly towards emotional features, critical analyses therefore
of real presences. Evocative constructions that deliver their interior
to the universality of moments vanished in the past: therefore Mario
Carletti resolves the own questions and states the light detections of
the world in one to delineate doctrine. Traditions that in the objective
continuity of the things turn the vitality of particular in the objective
fusion of one the relative narration. Disposition of a mind that
it is involved and extension the personal istintivity; therefore
history explanations fantastic that s' irradiate towards one luminous subjective.
"Autobiografismo" of contained that in the relationship of the shapes spiritual
freedom in the attempt searches one that same amalgam if with the perennial
one to succeed itself of the being. Rationality that stretches to
the own realization in the arbitrary passage of the thought: the
artist evidently converge its forces in a "evanescente" natural "figurativismo". |
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JUNE 1973 The REVIEW "VOCI E VOLTI A ROMA" DEDICATION A COMPLETE ARTICLE
To the ARTIST. The INTEGRAL TEXT: - the work of this artist whom
it has hit to me has been the called picture: "Who is the clown".
Independently from the colors and the aesthetic figure, observing the clown
I have seen the inner pathos of the author; the bitter fold of the
mouth and the sad look are in clearly contrast with all the burlesque one
nearly that this personage feels one great pain for the humanity.
"the Clown" show the psiche of Carletti, also it observes the humanity,
he picks up the several reactions to them and he leaks in if same the states
of other people's mind drawing some I torment sensitive that the door to
create realized paint works, which deriving creations, from the inner one.
A part of the humanity - fortunately in minimal measure - is according
to the lazy, outer Carletti and acts for convenience; this mass is
not judged from the Carletti but only the smile is taken in consideration
like subject and here bitter of the clown, while the look of these indicates
the great love of the artist for the humanity all. In other pictures
the painter instead, demonstrates the beautiful one and the sensitive one,
the subjects of its paintings is several and the colors are appropriate
work to you for work. That one but that it finds in this artist is
that it creates the works after a deep one "cogito" in way that turn out
sensitive and estroverse. The Oscar "Rugantino 1973" has been assigned
why from its pictures show this strong interiority to it. |
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EXPOSURES - |
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CITATIONS- |
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| Master
Mario Carletti has exposed its works in occasion of the International painting
Hall to the Holiday Inn of Rome from December 1974 to January 1975 |
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| The important
monthly art review "CORBI ARTE" in the edition of first trimester
1979 published the image of one of the more prestigious works of the artist:
"OMAGGIO A CHARLOT". |
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PRIZING- |
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| In june
1975 the review "VOICES and FACES To public ROME" published the photography
of the prizing of the artist with the work oil on burlap called "GONDOLE
SUL CANAL GRANDE" in occasion of the extension "PREMIO COPPA DELLE COPPE" |
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PREMIAZIONI - |
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| RAFFAELE
STAME writes of Mario Carletti in January 1975 on the review "VOCI E VOLTI
A ROMA" |
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CITAZIONI - |
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"IL SECOLO
D'ITALIA" Saturday 3 Decembers 1977 published an article in which the value
was emphasized experiences them and innovative of the extension "SPAZIO
ARTE INCONTRO" |
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CITATIONS - |
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| "IL MESSAGGERO"
dedicates an article to the prize Margutta 1977. In the course of
the manifestation it has been rewarded also the artist Mario Carletti. |
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CITATIONS - |
 THE
IMPORTANT REVIEW OF ART "CORBI ARTE" DEDICATES, IN THE EDITION OF OCTOBER
1978, AN ENTIRE PAGE TO MASTER MARIO CARLETTI WITH SOME SIGNALS ON THE
ARTISTIC LIFE AND AN ARTICLE OF DOMENICO IACOBELLIS On STYLE OF ARTIST
(INTEGRAL TEXT): Recurrent topic in the painting of the Carletti
is the "gondolieri veneziani". They seem to emerge from the null
one or better they stand out obvious against classic mists of the lagoon.
Carletti, simple and genuine spirit loves to paint the beautiful things
of the nature, therefore to mists, grey and not color, he donates vivacity
e shine, with a rich "cromatismo vibrante" and of tones, some of nearly
imperceptible which; its "gondolieri" paint them in continuous movement
and tones as soon as it marks to you. The artistic genius the famous
one when it covers its pictures of a brightness that is joy of living,
desire of freedom and is like if us it were wanted to be transported towards
an other world, "iperuranico", also remaining on this planet. It
has a its way to express its art, a made way of optimism and hope, but
also of certainty for the contemporary man. In fact its "gondolieri"
other are not if not the generous and full man of confidence, generous
and free but above all useful to if same and the others. Its mists,
policrome and shining, are the aspirations, serene even if still confused,
of that not set offed Man more towards the autodistruction, but full of
acquaintance of its real place in the universe and of the reason of that
place. If under it determines more realistic ethical points of view
to you. We can criticize the aspirations and the rappresentations of Mario
Carletti, we must accept the stylist fact and an interpretation of
the art. In fact Carletti show to if same, its personal school.
It conceives the burlap like a portion of sky put to disposition and on
which, he expresses liberations and without "correntistiche" ties, or you
recall traditional, its feelings, giving they life under color shape more
than images. For its works it takes advantage itself of an order
sense, "irrintracciabile" in the so-called great masters, than he disciplines
to all its composition, that he acquires therefore "ariosità" and
he becomes pleasant to admire for the observer. "Cromatismo" spontaneous
and trained, design and decided, sure lines, nature and semplicity of execution
make of Michele Carletti an artist, than they give to its a poetic refinement
to conquer who as we by now it is "disincantato" from how much happens
today in the field of the art. |
| DOMENICO
IACOBELLIS |
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CITATIONS - |
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BANNS- |
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The
Artist Mario Carletti realizes for the horse review "GIACCHE ROSSE" the
image of cover of the edition of the trimester July-september 1982 |
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DONATIONS- |
| The
same review "GIACCHE ROSSE" published in trimester aprile/giugno 1983 the
photo of the "bassorilievo" realized from Mario Carletti and donated
from the same Italian Club of the Giacche Rosse to the General of the arm
of the Police officers Umberto CAPUZZO Chief of general staff of the Army
(Head of the S.M.E.). To the side the photo of the work |
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PARTECIPATIONS- |
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MARIO
CARLETTI has exposed its works in several painting extensions. To
sides two booklets illustrated to you of two important fairs to Rome
in which the Master exposed the own works. On the left "USO TEMPO"
from the 24/10 to the 01/11/1980 to the Palace of the Conferences to Rome
while to right from the 06/12 to the 18/12/1980 near the Fair of Rome in
via Cristoforo Colombo |
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